Published : 18 January 2016
160 pages
N° ISBN : 978-2-36956-029-6

Le Muscle du Silence

Paris in the 1990s’ is the background of an unlikely love affair between a psychiatrist and his young patient. A survivor of the Nazi death camps in his 70s’, he considers memory to be the key to happiness. She grew up behind the Iron Curtain and finds the body to be an obstacle whose limits had to be tamed.
Their affair, where passion is intertwined with transgression, both disturbing and fascinating, funny even sometimes, comes out as the necessary consequence of totalitarian memory. It grows in the fleetingness of the moment, haunted by the past but devoid of a possible future. When illness comes into view, it’s like a third person stepping in. Can the two lovers truly love each other at the heart of illness rather than against it?

An outlook on the novel
Like an online search, this novel is wrapped around key words such as ‘fear’, ‘desire’, ‘power’. Each word echoes each character’s intimate experience of totalitarian regimes, revived by words, desire and memory in the quiet setting of Paris in the late 20th century.
Rather than write a historical novel about Nazism or Communism, Rouja Lazarova wrote about the aftermath. The novel is about surviving, about after-effects and the shortcomings of memory. Her writing is composed, sharp and delicate, often with a light touch of humour. Le Muscle du Silence is about characters who despite a tempestuous past and painful inner struggles manage to fight free of their chains.


“The love story of a psychiatrist and his patient, an old man and a young girl. Above all, the story of two lives stranded on the same shore. Strong and sensual writing, with no concern for pain. Absorbing.” Pleine Vie

“Critically acclaimed and shortlisted for several prizes with Mausolée, Rouja Lazarova pursues her quest, looking at the intimate scars left by totalitarian regimes in a new book, both violent and compelling. The writing is simply magical. Le Muscle du Silence is stripped of any unnecessary elements so as to leave room for the essentials—desire, death and, nested in between, the search for self.” Yaël Hirsch,